Today marks the last day of the American Library Association’s annual Banned Books Week, which, according to the website, “celebrat[es] the freedom to read.” The ALA site makes a distinction between challenged (someone tried to get a book removed from a curriculum or library) and banned (the petition for removal was successful in at least one place) and explains that the most common reasons for censorship are sexual content, explicit language, and “unsuitab[ility] to any age group.”
The ALA’s list for 2010-11 includes a wide range of books, from Sherman Alexie’s devastating National Book Award-winning The Absolutely True Diary of a Part-Time Indian to Anne Frank’s classic Diary of a Young Girl. The list also includes Barbara Ehrenreich’s Nickel and Dimed, banned in a Pennsylvania town for supposedly promoting socialist ideas; and a book about pit bulls and guard dogs, banned in Logan, Australia, because the breeds themselves are prohibited, and, in true Stalinesque spirit, readers should not be allowed to learn anything about them.
Well, there is someone for everything. It is marvelous to live in a country where some people value the 2nd amendment more than the first, and where some people are more afraid of libraries than they are of semi-automatic weapons. One thing I’ve noticed about the banned book list, though: I’ve never read a book that made the list and wasn’t well-written. (Full disclosure: There are plenty of books I haven’t read from the list.) So-called “classics” are popular targets, because they’re assigned in school, although last year someone challenged Kate Chopin’s perennially banned book The Awakening, not because it contains an unremorseful portrait of infidelity or a mother’s abandonment of her children, but because the cover of the book showed a woman with a little too much cleavage.
However, I’ve observed that books so poorly written that I want to hurl them across the room never seem to make it to the banned books list. For example, The Bridges of Madison County, which features a treacly plot involving a photojournalist who swoops into a small town to rescue a woman with no personality from her life of mediocrity, has never been challenged, at least as far as I know. Neither has Joseph Conrad’s Heart of Darkness, which is so historically important and uniquely disturbing, and so filled with clumsily written sentences. Black writers are disproportionately represented in the list of frequently-banned classics, especially considering that novels by women – already barely represented in the so-called “canon” – are only a sliver of the total list.
I can only conclude that if a book isn’t worth reading, it’s not worth banning or challenging. Books that have been challenged, on the other hand, were good enough to be recommended or read by someone who was affected enough to be offended. So many books deemed too challenging for school curricula or bestseller lists are so amply worth reading that I would never want to suggest that the ALA list should be the definitive guide to worthwhile literature.
I will say this, though: If you read something worth banning before next year’s Banned Books Week, I doubt you will regret it.